Baggage des Concord orfever liee Quade
I
“Let’s have a
story,” she says while last
year’s leaves crunch underfoot, the blue light shining through our hair like
two ghosts, our rutilant shadows, daubed over the ground, floating, glittering,
touching occasionally at the hip, nowhere else. How weird and wonderful that
all these trees aren’t really dead, yet they seem dead. I swear I heard a voice telling me what God
wanted me to know, to believe, once.
Different night. I do believe
even then I didn’t believe. One suspects
the testimony of spirits, as if immortality had any intimacy at all.
I wasn’t alone but I
wasn’t glad. She walked barefoot to be
closer to the earth, my eyes were helium balloons, starbound. I tried to think of a story to tell but the
road took over, dirt, leading where everything ends, or begins, the sky, the
mountains there, whose ranges never seem to end, I am filled with eternity, there
might be a story there.
“I’ve got a lot on my mind,” I lie. A sky without mountains is empty, like me. I could feel tears pooling in the lower
peripheries of my eyes, I held my breath. A cold metal ball rolling down the
corrugated roof of my stomach.
“Tell me about it.”
We walk until dawn. A bird in a dead tree singing deeply, all this
fuss over, what? Fire, glory, sex? Of
course the trees weren’t really dead.
Soon spring would bud them into life.
I felt like I had sprung into, not out of, a dream.
II
Through a dusty lens, night trucks
all parked in parallel lines, engines running, like old guys waiting
languorously to get their haircuts. I lumber past, slide into the
forgotten.
Across windswept fields, across
hours and miles, across the furtive river where it roams depositing silt, hollowing
out the valleys, in the thick of the dark, the unfriendly mountains all,
lurking like hooligans beneath their ball-cap clouds. That
nightmarish hour when the downright density of night bloats reluctant to cede
terrain to the day, I used to dread it as a child, but different disparate
desperate people have told me that they get a different read on the desolation.
III
"Ray Charles had perfect pitch."
"Hm."
"You okay?"
"Ay okay."
"I can't ever tell.”
"Hm?"
“I can’t tell if you crave inclusivity or exclusivity?"
"Hm."
"Sure you're okay?"
"Can’t you tell?”
"I can't tell.”
"Trust me."
IV
Look back but don't
ever go back. Just you and I and the river, and time. You and I and sleeping on the wrong sides of
the bed, that whole dating treadmill, our baggage, ripples of confusion,
lithe and slithery swiftness of youth, you and I masking swollen urges under
whiskey and a nylon comforter we bought at the Goodwill for $4.99, the plants
we killed in the egg carton in the windowsill. You and I tacitly avoiding who
hurt us, waking up at 4am to watch the rain through the fog in the parking lot,
the Adirondack we never bought, the birthday mug we did, your rainbow
scrunchies, my weekday temperament, your perfumed breasts and my lurid splashes
of chivalry, your soft flat stomach, a postcard from my old girlfriend Gigi
before she turned cold and gloomy as a hospital waiting room.. We all
become who we are and don’t ever go back.
V
I drive a
courtesy shuttle during the day, drinking whatever she brought me during the
nights. Everyday driving back and forth between malls, airports,
interstates, miles of industrial bricolage like alien hellscapes, all bracketed
by the occasional stop at the Valero or the Shell station and then pinballing again
between housing developments named after the things they had replaced, but more
likely imaginary landforms, Marble Brook there, a Chestnut Gables there, each
day a monotonous asphalt while overdubbed by low-volume corporately mandated
satellite radio, or the passenger, the passengers would talk about the God
damned weather, every day the God damned weather this and that, the God damned
weather, that or nothing, or that or traveling by myself between increasingly abject
points, delivering stuff to the garage for the boss’s nephew, delivering myself
unto the bland and isolating post-modern God of daily commutes through
modern-day infrastructure.
Gigi had been different though, before things turned sour,
especially, because sobriety took the bright out of her eyes, but when Gigi was
lit she added the perfect light to
any room, all the ambient courtesy of a church basement at coffee hour, quick
and sharp, (like a cleaver) the very definition of Minnesota nice, which is to
say, mean as all fucking get-out but funny and probably the cleverest person I
know. We broke up of course because our entire relationship was like the
interpretive dance version of a sloshed breaking and entering CCTV video. I caught her with *James* and the mainline
broke, all the old electric courses blew the fuses wide open, and I took up
with Kristine, a teetotaler who didn’t ask questions. Practically Saint Kristine, the way she
treated people, showing respect for the less fortunate, you know, her
family. However, her mom was good looking too, which I shouldn’t really
say before pointing out that I loved Kristine’s body, and I loved her heart, I
just wished she’d ask some questions of me instead of being so fucking tolerant
all the time because I was obviously still in love and hiding my heart in a
hole and she let me, wrapping herself like a blanket, like a carpet over the
injury so I could walk right over her.
Gigi I loved in body and mind, but of course, not her heart… wow, it’s weird to admit that, though there’s no
question she could be a real burn-you-at-the-stake witch.
So anyway I drove all day and drank whatever she brought me all night, she now meaning Cosette, the bartender I
was seeing on the side, because Saint Kristine wasn’t putting out, and neither
did she drink, and Cosette, who was from Belgium so her words were peppered
with Outside Categories, the conversational equivalent of drinking spiced gin, let
me sit at the bar as long as I could remain half-upright and I loved taking
notes on her endlessly fascinating digressions while she inebriated me on the
cheap-or-free. Also she had big tits and
this helped me to pay intention when she would repeat herself, or when some
idiot would come in and sit across the mirror and try to get her into the God
damned weather patter bull.
This week I was driving, like always, hoping my hangover would
evaporate out the slightly-cracked window, when Kristine texted to ask if we
could go out tonight, her treat.
Okay. Odd. Unexpected. I text back “fine” and then proceed to spend the rest of the afternoon trying not
to let my panic morph into a sentient creature.
It’s not exactly out of the ordinary to be asked out to dinner by your
girlfriend but something about the isochronous nature of the job, the driving here
and there, the God damned weather guy going on and on in the back seat, and I
would always or almost always get or expect to get a text from Gigi about what
we’d be drinking that night, or what tattoo to get next, or wha inhaling gypsum
smelled like, or whatever, so, instead, getting a text from Saint Kristine just
came as a shock, like low voltage nostalgia I suppose, and I realized I was
still in love with Gigi, that all had been well when the world wasn’t well.
I texted Gigi and asked if she wanted to meet up for a
drink. Someone should have told me to n
ever go back, look back, don’t go. I checked the time. Would be meeting Kristine
in 3 hours so I decided to wait, at Cosette’s bar.
VII
A voice like braised scallops.
That’s the sound emitting through the boarded-up painted-black window,
that and laughter. I throw the three
empty shooter bottles in the doorside trash, open up, quint in, and nothing
feels familiar, my hair falling in my face as I stumble, making a fool of
myself. I wait for them to stop their
drunken revelry and accost me, but they continue their banter unabated.
“For Joe Biden is forbidden!”
“That rhymes.”
“That’s discrimination!”
“It's not discrimination if it’s just.”
Folding up my coat self-consciously, aware of them sitting at
the bar with their $2 PBRs and their small talk. I walk right up to Cosette, somewhat brazenly
if I say so myself, “One Kilt Lifter please.” She smiles sadly as she pulls it. I stand and wait. John the Brit sizes me up as I wobble there
against the bar.
“You gonna sit in my lap man?”
“No. Never.
No thank you.”
“Good cuz I don’t trust you and your fucking Depends.”
“Not a question of depending or not— I know— they do the
job.”
“I wondered what that smell was.
Guess now I know why you’re wearing your skin colored pants, the
trifecta.”
It’s
difficult to be friends with the British. It's difficult to be friends
with anyone. I take it and wait, blushing obliquely, polishing off the
beer. I know what it's like to be
sober. I've peaked over the edge of that cold-turkey precipice for a long
time and guess what, no matter why you decide to do it you lose all the little fun
perks like being unable to feel new things, unable to find rational new ways to
punctuate moments of joy, or stress, and it’s not nearly as easy to muddy up
your overall feeling about being alive when you have to actually examine all of
your relationships with other people all the time, it sucks! So, I down my beer
and have another, standing there, waiting for Gigi to text or for the clock to
signify that it’s time to go or for someone to ask me how was my day, what was
I doing there so early. I wait and
rehearse what I will tell them when they ask me this.
“I’m here because I
need help,” I don’t tell them. “I’m here because I don’t like myself and I
feel hollow and I don’t know how to get any money out of doing the things that
I love which makes me feel like my love is worthless. I here because I feel like work is beneath me
and I’m depressed and unstable. I’m here
because sometimes I hear a song and it makes me feel things that I haven’t even
experienced yet and I’m looking for patterns in that. I’m here to reluctantly watch Cosette’s
abundant breasts bounce around while she vigorously wipes down the
counter. I’m here for sensation! I’m here looking for meaning. I’m here for shallow conversations about complex
topics,” I don’t tell them “I’m here because I go for broke three nights a week and use the
other days to make excuses for being emotionally abusive and I’m smart enough
to think I can get away with it. I’m
here because going on the internet is inevitable and I’m trying to avoid
floating into that oblivion of nonachievement by staying poor, buying your
beers, seeing actual fucking people instead of insulating myself with the
depressive machinery of mistrust, machines who don’t dream or yearn or fail, to
whom I am only a component in an algorithmic equation. I am here because I am real!”
I stand and wait but the good patrons don’t say another word to
me, they reminisce amongst themselves, world building, sharing memories,
reliving the unachieved utopias of previous decades, someone laughs a ugly
mangy laugh, Gigi hasn’t texted me back,
I head over to the restaurant at the appointed time.
VI
Later, much later,
Cosette will orchestrate a goodbye meetup and tell me about how Kristine had
been looking for me that afternoon. “She
is’n obscure beauty. A nice snatch.”
“Catch?”
“Catch’et?” She said she came in, introduced herself,
asked for me, and left.
“Why didn’t you tell me?”
“I try. You were pretty buzzed boy.”
I carried her suitcase
out of the sunlight into the projection of shade. She dug out my paperback of Allende's
City of the Beasts, and apologized for
not reading it as she handed it back to me. They called her train. She embraced me in a cavernous hug, enveloping
me in her dizzyingly earthy aroma.
VIII
A young Puerto Rican waitress takes us upstairs and on the way
we pass a wall of kitschy old-fashioned butterfly paintings. We’re seated
in a huge room adorned with antiques and junk. That kinda place. Our waitress wore a pencil skirt, a prim
black blouse and two pairs of glasses, one on her nose and the other on the
crown of her head. We look longingly
into the hearts of our menus as I wish I could order two or more variations on silence,
for both appetizer and entree. The
ambient music is R&B Jazz.
Kristine’s face is icy, but she smiles inscrutably and orders
what she describes as “an enervating non-alcoholic wine.” I can swear she has a fucking halo. She’s wearing a long flowery skirt and a pink
gingham blouse which I’ve not seen before. She looks radiant. I need a fucking drink. My own clothes, which I now review guiltily,
having all day given no notice, are, as I define it, smart casual. Who really needs a girlfriend? I already know this shirt doesn’t match these
pants- why have someone around to nag me about it?
But she doesn’t nag me about it.
When the wine arrives I raise a glass to her. She offers a countertoast to me, which I don’t
belabor further by denying. Tastes like
sour juice. Ever try smiling with just
your eyes because your mouth muscles won’t unterse themselves fast enough? Ray Charles’s I Had the Craziest Dream oozes in slow motion from the obscure
stereo system.
III
"Ray Charles had perfect pitch."
"Hm."
"You okay?"
"Ay okay."
"I can't ever tell.”
"Hm?"
“I can’t tell if you crave inclusivity or exclusivity?"
"Hm."
"Sure you're okay?"
"Can’t you tell?”
"I can't tell.”
"Trust me."
IX
"Can I trust you?”
"Of course you
can.”
"My mother likes you, but I think you’re afraid to give
anything of yourself. I think you’re
afraid somebody’s going to get close and hurt you so you’re just hurting
yourself by holding yourself back all the time.”
"And drinking too
much.”
"Yes, that too. I’ve
been meaning to talk to you about that.”
"Then why don’t
you?”
"Because I’m not sure I can trust you. Relationships are supposed to be reciprocal,
you know, you give and you take?”
“Maybe I don’t want that
kind of relationship. Maybe I don't want to take anything. St. Augustine said that
to say ‘I love you’ is to say ‘I want you to be’.”
Our waitress returns and asks if we’ve made any decisions. Kristine says “You want to find a person who
will solve all your problems and for some reason love you for it.”
It’s at this point when Gigi texts me. Better late than never? It’s at this point I get up and announce that
I’m going for a walk. Kristine sits up,
her saintly head held high atop her regal neck.
“Wh— where?”
"I'm going to go get a
drink."
“Don’t come back here.”
I bend and kiss her forehead, turning away from the antique
lamplit warmth into into the cheerless early evening dark.
II
Through a dusty lens, night trucks
all parked in parallel lines, engines running, like old guys waiting
languorously to get their haircuts. I lumber past, slide into the
forgotten.
Across windswept fields, across
hours and miles, across the furtive river where it roams depositing silt, hollowing
out the valleys, the river and time in the thick of the dark, the unfriendly
mountains all, lurking like hooligans beneath their ball-cap
clouds. That nightmarish hour when the downright density of night
bloats reluctant to cede terrain to the day, I used to dread it as a child, but
different disparate desperate people have told me that they get a different
read on the desolation.
X
A long walk really can dry you out,
but not as good as sleep, and though exhausted I can tell right away that she
has the apartment to herself but *he’s* recently been there, she’s barefoot, black
and blue, manic-eyed, bouncing trembling and not holding anything back with a delirium
tinged verbal blitzkrieg of profanity and unqualifiable sadness and the strange
notion occurs to me that if she sleeps now she might die so instead of sitting,
which I want to do, I suggest we walk, forcefully, which it seems like we need
to do.
I am so used to watching her walk
away that I don’t even think about it as I count aloud the steps she takes
until she is just a blurry figure beneath the next streetlight, my voice a
whisper, her voice cracking and shaking and floating under the next
streetlight, then the next, I forget what she looks like in the daylight. My shoulders feel stiff, it’s the most I’ve
felt in a while. I run to catch up before there are no more streetlights, we
enter the campus park, she is loudly singing a song without music, vacillating
about secrets and magic, the stars coruscate commiseratingly. I remember the time I heard the voice of God
speak to me, you’re not alone God
said, but no one else heard, even I didn’t believe it, one doubts the universe
has any intimate voice at all.
She throws her phone into
the bushes and we look together, trying to find something hidden, eventually we
do, somehow the screen has not shattered.
“I love this time of night,” she says “let’s have a story.” Last year’s
leaves crunch underfoot, the last of the blue campus lights shining through our
hair, two ghosts, she sighs and trudges ahead and I wonder what Kristine's mom
would think of me now.
XII
The reflection of
my yawning face in the van window swallows the raindrops streaking through rushing
headlights. The engine drone encloses my
mind within all the optimism of the empty early morning parking lot as a man
and a woman let themselves in and I put it in gear, turn right and vroom up the
on-ramp, a wet road rising up to meet me.
“Mister,” the
man says penitently into the rearview, “you forgot about the baggage.”
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